"Don't take the free ride in your own life."

I don't know why, exactly, but the Nickelback song written by Chad Kroeger, "If Today Was Your Last Day," really resonates for me. I don't live my life that way, but I wish I could. One line in particular, Don't take the free ride in your own life, is one of the most eloquent in the whole song. I wanted to make an art piece, something I could hang near my desk to remind me of that, to urge me to do more, to be more.

Originally, I thought I'd just do something on the computer, typographic sort of art. I had some canvas boards in the basement, and an old pill bottle full of fortunes from cookies I'd been saving for years. I wanted to use them together, since that phrase sort of sounds like something you'd get in a fortune cookie. I decided to make a smeary, abstract background with blues and greens on the canvas, glue the fortunes in an offset grid, and then use the typographic art I had already done and somehow marry the two. The problem was, one of the fonts I used (Zapfino) has really delicate trailing ascenders and descenders. How could I cut those out and raise them off the canvas without it looking stupid or tearing?

After sitting on my finished background for ages (I've been working on this since August 2012), I finally figured out how to make it all work: painted Plexiglass. I needed two layers, because I wanted the two different typefaces (Zapfino and Rockwell Extra Bold) to float away from the background and each other, and I wanted to use two different colors for them; black for Rockwell, and red for Zapfino. I had to use Plexi, because two sheets of glass, 14x18", would have been insanely heavy. Talking to a woman at Michael's in the framing department they could do it for me, but all they have is the conservation stuff that comes with UV coating. Each piece would have been well over $20. (Yikes.) I found Mat Board & More and they set me up. The pieces are thinner than I would have liked, but the finished piece will be even lighter for it, and maybe it will be easier to find a frame to accommodate it all.

This morning, with all the pieces in place, the kid back in school after a spring break that lasted approximately seven years, I got the painting done. I didn't aim for perfection, didn't make sure that the corners were perfect, or that brushstrokes were invisible. I just let it happen. (And I'm kinda proud of myself for that.)

Background layer

Closeup of background

My painting guide - checking to make sure I can see it well enough

Layer one, done!

Layer 2 needs a second coat

Stacked layers

DONE!

I'm really pleased with how well it turned out, and so glad this work in progress is now a work completed.

By the way, if you're here to tell me "Nickelback sucks!" first of all, grow up. Secondly, this isn't about Nickelback, it's about music inspiring other media, and finding personal meaning in it. Any negative comments about the band will be deleted. Really; grow up. Not everyone likes the same things. Vive la différence!

The Stuff Is Winning

Waaaay back in August '12, I was determined to get the basement organized and the wall finally painted. I worked my tail off, and made significant headway. I got shelves up for the action figures (which eliminated a lot of boxes). And then... I never finished the job.

Over the course of the next 16 months, Life happened. I got busy doing other things, had more inspiration, needed to devote time to more pressing projects. None of that stopped me from finding more stuff, however, it just meant that the piles got bigger.

I needed to finish a update for my book, and I did. I kept writing my ideas down in a sketchbook, and I finished some of them. I traveled. I gamed. I procrastinated... All the while, heading to the basement searching for things needed to complete whatever obsession was nagging me that minute. I've said it before, and I've meant it every single time, but this time I don't have any more excuses: It needs to get done. I'm tired of searching for things I know I have (and can't find). I'm tired of looking at the mess. I'm tired of not having that wall painted -- just one wall! I want my dance space. I want to be able to lay hands on the materials for a project I want to work on. I want to be able to go down there and relax over a movie*, without the mess distracting me.

I worked until my back hurt yesterday. I desperately want to work on it now (but the foul headache lurking behind my left eyebrow says uh-uh!) This may be a planning day, a couch day, because bending/lifting/sorting would make my head explode.

If I work on it a little bit, every day, I may be able to paint this summer. If I can get the wall painted, everything organized, and boxes and crates eliminated, I promised myself we could have a "geek tree" in the basement once it was all done. Plus once the space is free of all that clutter and stuff, I can actually decorate the space, like I've been planning.

I've got some pretty powerful motivation to get this done. Let's see if I have the strength of purpose to actually get it accomplished...


_______________
* I sort of have ulterior motives with that -- we have a hard time getting out for "date nights." So I'm thinking, if I can get the basement all done to my satisfaction, we can have "date night" in the basement, and not worry about needing a babysitter!

January's Hat: Snow

Those glist'ning houses that seem to be built of snow
Snow
Oh, to see a mountain covered with a quilt of snow
the song "Snow" from White Christmas (movie)

This photo won 3rd place in the local county fair in the category "Shadows."

I was so happy to have no interruptions for the first day when my daughter resumed school after the winter break, I made my January hat. My inspiration, though it's been scarce this season so far, was snow.

It didn't start out that way; it started out as another practice hat. I had tried the video tutorial for making the pillbox hat and it didn't work. I'm betting operator error, but it looked like she was using felt to make the one in the vid, and since it's naturally more structural, she didn't use any interfacing or lining. I lined mine, but without interfacing or some kind of stiffening going on, my pillbox is too soft to hold its shape. Also, her instructions were not all that clear. The sides of the hat have a bit of a peak; the center of the band is taller than the back of the band, but she doesn't say which side to sew the crown to, and I didn't mark it (she didn't) so once it was cut and the pattern piece unpinned from it I wasn't even sure which was top and which was bottom.

I'm nearly happy with it. I think my contrast-stitching has too much contrast,
and it desperately needs something to give it some body, but it almost worked.

Anyway. I decided to modify (again!) that McCall's pattern #2692 from '86. This new hat uses the same pattern pieces as the hats I made in fleece! I reduced the pieces using Photoshop, scanning them in and reducing them 85% and printing them out. The sides were too long to scan, so I folded it at the center and marked that end of my new pattern piece "FOLD."

Scanned, desaturated, and reduced pattern pieces

I found the random polka-dot patterned dotted swiss material, saw how much of it there was, and figured I'd use that, and added medium-weight sew-in interfacing. I didn't line it. After I cut everything out, I machine-basted my fabric and interfacing pieces together. I stitched the short ends together, pressed open the seam (I didn't use her technique in the video of sewing that down). When I started pinning on the crown, it became pretty clear that reduced the same percentage or not, it was a bit too big. I ended up pinning it together from my basting stitch rather than matching the edges, and then trimming the excess and notching it as usual.

Once I got it all sewn together, I turned under the raw edge and checked the height, turned it some more, adjusting the size of the band until I was happy with it. That got stitched down twice, which gives it a little more firmness as well as securing hem. Most of the side band is now doubled fabric and interfacing, making it pretty sturdy.

Thrilled with my creation, I used matching ribbon and white tulle to make a pouf for the side (sewing the ribbon to the tulle, then gathering the opposite side), securing it with a silver and light blue button from my stash. It still needed something, so I looked to see if I had any white sequins the right size, thinking I'd sew them onto all the smaller dots on the sides. I did have, but didn't like the way they looked, but found some flat clear sequins that I used instead. Each one sewn on using two stitches of white thread... that took far longer to do than sewing the hat! I tried to keep the thread from showing where I could, going between the layers of fabric to the next dot. I could have skipped that and gone faster, but it looks nicer and the threads are not in danger of snagging and breaking.

I have not yet decided what means I will use for securing it to my head, and I'm not certain that it still doesn't need something -- it still looks kinda plain -- but I'm calling it 97% done.

To me, the white spots on an aqua field on dotted swiss looks like snow falling from a blue sky. So, my inspiration, born of a casual "eh, I'll use this," turned into something I'm really quite proud of.

back

front

left side

right side

Making it up as you go is kinda fun!

Insanity Is Progressive

So I've made a few hats, and it was fun. Thinking about modifications, different materials, embellishment... I swear, it feels like my brain is on fire. I went to two different fabric stores on Friday, and Friday night I also hit a thrift store. I have more than enough stuff to keep me busy for a while, but I am dying to get into the garments I bought to remake into hats.

I found three blazers, three blouses and a skirt, and have already deconstructed one of the blazers (saving the lining to line the hat!) and will hack up the others soon. Because they are fitted, I don't have large seamless pieces to work with, but I think I can still manage.

Here's my haul:

I also bought Vogue patterns 7890, 8681, 8869 (left to right, below) and already had McCall's 2692 (see the Hats post from a few days ago). Plus I found an excellent video tutorial for a pillbox hat that I really want to try.

I'm going to use the instructions from the pillbox video first, on some scrap fabric before I commit to something I really want to turn out right. I want that practice hat to be something I don't mind if it doesn't work -- but that I'd still wear if it does! Once I know I can make it work, I'll use my fabric salvage. Then I think I have to make that patchwork beret; love that! And I'm pretty sure I must make some more of those little top hats.

I had a crazy thought this morning, before the caffeine hit my bloodstream: Wouldn't it be awesome to make a hat a day? Then I realized how insane that would be; 365 hats?! Even if I gave a bunch away, what it the hell would I do with them all? OK, hat a week, then, my idiot brain says. No -- 52 hats is still unmanageable. Fine, how about one a month? Fine. Fine. OK! (Ahem... everyone has conversations with themselves, right..?)

SO! A hat a month, and if I make more, fine, but I want to do one "official" hat each month, that will be meaningful in some way to me regarding the month/season/holiday.

Yes, indeed. Insanity is progressive. By the end of the year, I'll need a fetching canvas-and-leather chapeau to go with my straightjacket. 

Writing

It's been ages since I did any serious writing (not counting blogging, and that's often pretty sporadic). I wrote Creating an Heirloom and got it published, and now it's overdue for an update, and I can't get moving on that. Basically, I only have a single chapter that needs rewriting, but it's a pretty important chapter.

Various professional writers will tell you to treat your writing like a job because it is one. Treat it like a hobby, casually, and that's how you can expect to make money from it. Since I was in high school (before, really), writing was something I wanted to do. Over and over, I've let it take a back seat to other things in my life. I've treated it casually. Since I've been pretty cavalier with it, it's not treated me any better. Creativity is a muscle -- it atrophies when you don't use it. And while I have been creative in other outlets, I don't treat that any more seriously.

I finished a short story, about 2500 words (too long for micro or flash fiction, too short for what most people consider to be a "short story"), and now have to decide if I want to shop it around or go the epublishing route that so many authors are using. I'd really like to sell it, but anxiety can be pretty crippling. It's what keeps me from doing most things, actually. I hate it, that evil little voice in my head.

A friend made a suggestion about taking the completed short story, and turning it into a series of related vignettes. I kinda like the idea, I think it would make a nice "package" to publish, but after the (somewhat crazy) inspiration of the first, I'm not sure the others will come as easily. (Back to that creative muscle again...) I got an idea for another story, but the inspiration for it is taking me in the direction of a considerably longer work.

There are other things, too, of course -- there are always distractions. I have an art show this weekend, the first commercial art-related thing I've done since the gallery closed in December. (Shame on me...) I've had some health issues come up this summer. Meetings and appointments for my daughter. Stress. Depression. Frustration. It's been a rough year. You'd think that losing myself in fiction writing would be just the thing! And maybe once I get back after the weekend art show, I'll be able to do that. But today will be consumed with the mundane: dishes, laundry, packing for the weekend.

It's only quarter after 7. Maybe I can sneak some writing in before The Kid gets home from school...

Don't Take the Free Ride

I know a lot of people really hate Nickelback, though I don't really understand why. Whatever. Their song, "If Today Was Your Last Day" written by Chad Kroeger, from the album Dark Horse (2008), has a great deal of resonance for me. Here are the lyrics if you don't know it:

My best friend gave me the best advice
He said each day's a gift and not a given right
Leave no stone unturned, leave your fears behind
And try to take the path less traveled by
That first step you take is the longest stride

If today was your last day and tomorrow was too late
Could you say goodbye to yesterday?
Would you live each moment like your last
Leave old pictures in the past?
Donate every dime you had, if today was your last day?
What if, what if, if today was your last day?

Against the grain should be a way of life
What's worth the price is always worth the fight
Every second counts 'cause there's no second try
So live like you're never living twice
Don't take the free ride in your own life

If today was your last day and tomorrow was too late
Could you say goodbye to yesterday?
Would you live each moment like your last?
Leave old pictures in the past?
Donate every dime you had?

And would you call those friends you never see?
Reminisce old memories?
Would you forgive your enemies?
And would you find that one you're dreaming of?
Swear up and down to God above
That you'd finally fall in love if today was your last day?

If today was your last day
Would you make your mark by mending a broken heart?
You know it's never too late to shoot for the stars
Regardless of who you are

So do whatever it takes
'Cause you can't rewind a moment in this life
Let nothing stand in your way
'Cause the hands of time are never on your side

If today was your last day and tomorrow was too late
Could you say goodbye to yesterday?
Would you live each moment like your last?
Leave old pictures in the past?
Donate every dime you had?

And would you call those friends you never see?
Reminisce old memories?
Would you forgive your enemies?
And would you find that one you're dreaming of
Swear up and down to God above
That you'd finally fall in love if today was your last day?

Some people might think that it's rather trite, but there's one line in particular that rings like a bell in my head: "Don't take the free ride in your own life." That single line makes me want to be better, do more, be daring, take risks. If you spend all your time analyzing if something will work, you may never actually find out if it does.

There's about 90 in that pile. I don't remember when I started saving them.

I've been saving fortune cookie fortunes for years, with no real clear idea of what I wanted to do with them, but saving them nonetheless. Now I know. If you read the lyrics, some of them are short and pithy: "live like you're never living twice," "it's never too late to shoot for the stars," "the hands of time are never on your side." Don't those sound a little like fortunes? Here's some from my cookies: "Rely on your own good judgement to lead you to success." "Nothing in the world is accomplished without passion." "Be quicker of mind than of tongue."

As I was poking through them, I noted that there are some duplicates, and I suppose I could omit them, but I don't think that I need to or should. I'd be astonished if there aren't more, given my horrid habit of stashing things everywhere, but this is the majority of them, and I think sufficient for what I have in mind. I'm going to take that single, resonating line and superimpose it over a canvas covered with fortunes. The size of the canvas will be dictated by the number of fortunes, but it looks like I have enough to cover an area 14x18 inches (leaving some space between fortunes), and leave space at the edge for framing.

Unfortunately, I have really lousy handwriting. (Really. Lousy. Handwriting. People have asked me if I was a doctor upon seeing my signature -- true story!) Putting a paintbrush in my hand isn't going to make me a calligrapher, so I may attempt to recreate the above text with cardstock and an X-acto knife. Dunno, I'll see when I get there.

Also, I will be at the Salt Fork River Art Festival again this year, at the Sleepy Creek Vineyards in Fairmount, Illinois (just outside Oakwood, in east central Illinois). It's a lot of fun, there are lots of wonderful artists and artisans, live entertainment and demonstrations, plus... WINE!

Old Things Made New

I have skirts I love, but never wear because they're too long. Two things can happen: I can stuff them back in the closet and ignore them, or I can alter them so they suit better. (Or I could donate them.) Since I've already altered some of my other too-long skirts, this was a no-brainer.

 

PROJECT ONE

Ankle-length skirts on someone who is already short just makes a person look like they're standing in a hole. I don't want to look like I'm standing in hole.

There are three side seams in this skirt. The two in front I'm going to pull up the skirt about an inch above where the black starts and sew it in place. I have some velvet ribbon I'm going to sew over the seams to emphasize and make it look like the button I'm adding is functional and not merely decorative. I suppose I could stop there, and leave the back alone, but it's really quite long, and I don't want that much of a length difference between front and back...

 

...so I'll pull it up too, wrapping it over the waistband and stitching it in place. I also have a pretty black lace I'm going to sew onto the hem before I start all this. It's sort of steampunk-inspired; Steampunk Light, maybe.

PROJECT TWO

Same skirt, different colors. But for this one, I want to try something different. I'm going to open up those three seams about halfway, and stitch the corner of one "panel" to the next seam, then the next panel to the next seam, all the way around.  I have no idea how that's going to work...

...but it probably won't look anything at all like that. In the above photo, I haven't ripped open any seams yet, so who knows how it's going to look. If I don't like it, I can try something else!

PROJECT THREE

I love the colors in this skirt, but it's soooo long! I don't want to cut it off and lose any of the color or sequins, so...

...I'm going to turn it into a dress. It needs a wider belt (white?) and I think I'm going to try and make a shrug for it, too. The straps will be made from the tie that was in the waistband.

PROJECT FOUR

Cute dress, eh? Goodwill find, and it fits nicely... except it's too long. Gonna hem that baby to knee length, and maybe (maybe), I'll open the side seams a little for a sexy little glimpse of thigh.

PROJECT FIVE A, B, C

This is a tan polyester lace t-shirt, lined with more polyester. I'm going to rip out the lining and turn the lace into a shrug. It may or may not work well with the black and tan skirt. We'll see.

I got two more tees that I thought might work well as shrugs, but maybe not, after all. The tutorial for the shrugs (link above) says to remove the neckband, which is one of the things I like about black tee #1. Nothing fancy, just a small braid of the knit, but I don't want to remove it altogether. I'm going to see if I can find a way to keep it.

With black tee #2, not only does it have a neckband that I like, but it also has a tied keyhole back. Again, not sure how to make it work, but I'm going to give it a go.

PROJECT SIX

And here's the part where I've pretty much gone a little crazy. The only thing of the four items above that fits reasonably well is the cotton plaid capris, and they're a little big. The solid green capris (left) are a linen/rayon blend, as is the striped skirt. The paisley skirt (right) is polyester. The two skirts on the right are new, tags still in them, and much (much!) too big. I bought them basically for the fabric. In fact, all four of those pieces were basically because I loved the colors. I have in my head a dress or a skirt or an outfit... made from all those things. And no idea how I'm going to do it! :D All I know is, if I had not bought those two skirts, I'd have regretted it for a long time. I don't know what it is about them, the soft mossy green, mocha and beige just really grabbed me, and I love the idea of using a stripe with the paisley, and the plaid with both.

Since I have no idea how I'm going to pull those things together, I'll sit on that for a while, until I know exactly what I want to do. Just the two skirts would be fun as a spiral, like this (version #2). Not as colorful with only two fabrics, since I don't think I could get the pattern piece onto the pants (each gore needs a 25" x 23" piece of fabric), without piecing them or having a seam in the middle of the gore, but we'll see. Maybe it will work... or maybe I don't want it to. The different fabric weights, sturdy-to-filmy, might make for a bizarre skirt. Or it might be amazing! 

At any rate, I have more than enough to keep me busy and out of trouble while I wait for the weather to improve long enough to bring home the plywood for my closet overhaul.

Current Obssession

I have a great affection for glass. Clear, colored, leaded, pressed, blown, cut... Some women go for glitter or diamonds, I like sparkly glass.

I had the nifty idea to use orphaned china saucers married with glass bowls to serve as whatnot dishes. I have a couple in my bathroom holding lipsticks and hairpins, but they could hold change, bracelets, sweetener packets, etc. I saw the idea for reducing clutter functionally in a magazine: You collect pretty cups and saucers, but have nowhere to display them, so put them in a dressing table drawer and use them to hold jewelry. That's all fine and good, but I don't collect teacups, and I don't have a dressing table. Also, the tiled-surface bathroom (where I put mine) seemed like a good way to shatter the pieces, so I used E6000 to glue them together, making it less likely that I'd tip the bowl off the saucer, making the assemblage more stable, reducing the risk that I'd end up with glass in my foot.

The center two are in the bathroom, holding hairpins and ponytail elastics, and lipsticks, respectively.

I was in Goodwill scrounging the pieces, and spent ridiculous amounts of time finding the right glass piece to go with the saucers I'd chosen. The base of the glass dish needed to fit in the depression that was for the teacup, and I wanted the look of the glass to compliment the saucer. For instance, the top right pair both have a swirled texture - hard to see from the picture, but the lip of the saucer has the same kind of texture as the little bowl.

So that's where my lunacy started. Then I looked at the piece of garden art my mom got me for my birthday: a "flower" of stacked glass (plate, bowl, vase, nested together and displayed on edge, perched on Rebar), and started looking online for other examples of repurposed glass. I found more flowers (most of them not as skillfully made as the one Mom got from a central Illinois artist), and I found "garden totems." Garden totems must be the official garden sculptures for the Royal Society for Putting Things on Top of Other Things. Basically: vase, plate, vase, bowl, plate, vase. They can be perched on poles or set directly on the ground. (Here's a link for pics and how-tos.)

It seems simple enough, until you hit the thrift store and start trying the pieces together. It's a little tricky to get scale, color (if you're using colored glassware), shape and fit just right. Like my saucer/bowl pieces, I want the various pieces to fit together well, so that the fit will help the glue do its job - if the bowl on top of the vase is too small, it will be harder to get the pieces to glue perfectly vertically; if too large, it might make the overall piece tippy even on a stake, and might lead to breakage.

Since I wasn't sure what I wanted, exactly, I might have gotten a little carried away...

Goodwill haul after hitting three different locations.

Most of the pieces I picked up were 99¢ though some were more, some less; they average at about a buck a piece. Colored glass was much harder to find and some of the glass is painted not colored itself. The orange vase is painted, so it may not weather well, but it was so pretty I decided to take a chance.

Isn't that orange spectacular?!

I'll pair that orange vase with some amber glass, and a small ruby bowl, and get a warm little tower for my garden. The green pieces might seem crazy... green glass in a (hopefully!) green garden might be lost. But perennials are expensive, and I'm far too lazy a gardener to mess with annuals every year, so my garden art will serve as pretty little bits of color until the beds fill in.

Sparkly!

Making clear glass sculpture will be a cinch! Tons and tons of candle holders, vases, bowls, plates - some leaded glass piece, even. I'm looking forward to playing with this, and looking forward to spring, and making my flower beds look a little less sad...

A Million Ways to Procrastinate

I signed up at Pinterest in June as part of 30 Days of Creativity, but didn't really do much with it after the month was done. A friend of mine started using it, which made me take a second look at the site. And I have been using it to daydream about new projects ever since...

Ever since I got over my initial horror of destroying books, working on my own altered book, I've been looking at them with new eyes. So many books are discarded! I would never destroy something valuable (collectible, rare, etc.), but there's an awful lot of books that don't fall into that category. If you just look at the people who've tagged recycled books on Pinterest, there's tons of amazing, creative and fun projects. There's Christmas ornaments in particular I am dying to make. Currently, my vintage aluminum tree is set up in the library... but wouldn't it be awesome to have a book-themed tree?

We're working on finishing up our unpacking and organizing (we moved in last July) in the basement, where a lot of boxes ended up, yet to be unpacked. I know how I want to decorate that space, and Pinterest is giving me a lot of inspiration there, too.

Whatever you can think of, there's probably someone at Pinterest who's thought of it, too. And you will find a million ways to procrastinate.

Inspirations

Sewing & Quilting
Mom gave me The Complete Photo Guide to Textile Art for Easter, and the same day I received in the mail 2 back issues of Art Quilting Studio. The ideas that are pictured in them are very inspiring. Some things I cannot wait to try. I think I've come up with how to make the art quilt for the Hawai'ian fabric I bought nearly 4 years ago, too. I believe I need to practice some more on smaller scales first, though, before I tackle something that large.

I love that I'm getting positive feedback on the first little quilt I did. I love that the new one I'm working on is coming together so well. I do wish I was a little more confident; I still mostly feel like I don't have a clue. It's good that I learn best by doing, and that I am doing, and not just thinking and daydreaming. I have enough ideas, and enough enthusiasm, to keep me busy for a while. And all that work will give me plenty of practice, and chances to become more proficient and confident...

Which will also help, I hope, with the art dolls I want to make so much. I think part of the issue with the first little pass I made was the use of too many dissimilar fabrics that don't want to piece together neatly. If I stick to a woven cotton (even a cotton blend) I think I'll be ok. I also think I need to do a main "sheet" of piecework to cut my doll body from, rather than trying to get pieces to conform to the pattern. Perhaps I'll make my daughter's doll using some of the textile altering techniques in my books and magazines as an experimental palette. Paint, dye, stamp, resist, marbling... *grin* I need more white fabric! (But I'm probably getting ahead of myself again.)

Gardening & Photography
A lot of my photos have come from my own or friends' gardens. Sadly, when we moved, I left behind an established (small) flower bed that I was quite fond of. The new house has weedy, sad, very neglected beds that I hope to turn into wonderful inspiring gardens soon. Getting perennials isn't cheap though, so this year I'll jumpstart the process using seed mixtures, containing both annual and perennial seeds. Hopefully those will be successful and I can get back to my camera later in the summer, but until then I need to see what the local area has to offer in terms of preserves, parks and trails. And I can always pester the neighbors for their flowers, or maybe drive out to the Chicago Botanic Garden (a mere 45 minutes away).

My passions have a way of feeding each other. One thing sparks another, which distracts my attention from a third thing, and pretty soon I've gotten so far afield, it's hard to know how I got to where I am. This sort of short-attention-span art tends to leave me with a lot of UFOs, but I also learn so much by experimenting with new things. It's hard to be upset with the destination, when the journey has been so entertaining.

Hallowe'en Necklace-to-Be

A few years ago, my mom, a friend of ours, and I went to the Bead & Button show up in Milwaukee. As we wandered, I picked up some gorgeous raku ceramics, some dyed mother of pearl, and some Hallowe'en-themed lampwork. On the ride back home, I started describing an idea I had for a mixed media necklace for Hallowe'en. Wool beads, wooden beads, felt, fabric, Shrinky Dink, paper, polymer clay... I sketched quickly (and crudely - I'm useless with drawing) and Mom and Melinda added their 2¢ as well.

I have made a few pieces from that original idea (the mini needle-felted sculptures, an experiment with mokume gane, and some of my first felted beads), and Melinda had made some lampwork ghosts for me, plus the little ceramic hat-wearing ghostie from her as well. Most of this, like the idea that spawned it, moulders in a box, waiting for me to finish it. I want to work on it, I can't wait to see my creation completed, but... like many of my projects, it has stalled. Too many ideas! I stare at them when my eyes close and it's so overwhelming!

Maybe if I leave The Box out where I have to look at it all the time, perhaps then I will complete my masterpiece and have something to show off this Hallowe'en.

Great Possibilities, Templates

Mirkwood Designs has a number of really wonderful templates that she offers for free. The designer recommends tracing the templates onto cardstock, but I thought I'd try something a little different. I printed the template on regular  paper (20#), scuffed the glossy surface of a chipboard box I pulled out of recycling, and glued the template to that. Then I cut out the template, which gives me something much sturdier than cardstock, and includes the instructions and copyright information on the template.

I was trying to find some good templates for envelopes of various kinds, things that I could use with the papers I bought, intending to use in my altered book. However, the colors for that are much more muted than the colors I have been using... now I need to decide if I'm screwed with the colors my hands chose, or if I can Go With It, and just not continue with the really bright colors for the entire book. 

If an altered book journal is a stream of consciousness sort of work, then I can't believe I screwed up. Color is immensely important to me, and the only colors that really don't resonate for me are pastels and navy blue. (Navy actually makes me feel kinda off. Seriously.) So even though I have a pile of paper in the mustard, olive and paprika sort of spectrum, maybe I can still make those work with the pages I have. That's what I wanted the envelopes for, especially since many of the papers are double-sided; fold open a "petal card" and reveal a whole new color inside, and enough space for a little journaling. Plus, that may work to calm down the brightness of the pages. Or maybe it will look completely weird. I think the only way I'll be able to tell is to actually cut one out, and try it.

Canvas Craving

I am mad to try some of the ideas I saw in this book:

It appears to be a fairly basic intro to messing with acrylics and the various Golden media that they can be added to. I've had an itch to try playing with canvas for a while. This book shoved me right over the edge.

Only a matter of time before I end up with the book and the supplies. If I can hold off til spring, maybe I can set up in the garage...